| Theatre | ||
| Asymmetry | Julius | Theatre 54 |
| Cary's Chain Store Massacre | Cary | Stage Left Studio |
| The Metamorphosis | Gregor | Wings Theatre |
| The Mysterious Mystery of Mystery Street | Rico | The Kraine Theatre |
| Odyssey | Tan | Wings Theatre |
| Speakeasy | Nick | The Tank Theatre |
| Absurdities | Sal | The Red Room |
| Variance | Darren | Manhattan Repertory Theatre |
| Beyond Open Lines | Michael | Theatre at St. Clement's |
| Way to Heaven (Himmelweg) | Franz | Theatro Circulo |
| Ampersand: A Romeo and Juliet Story | Mercutio | The Looking Glass Theatre |
| Please Remove This Stuffed Animal From My Head | Phil | The Looking Glass Theatre |
| Downfalls: Shakespearean Moments of Doom | Banquo | Center for Performance Research |
| Danger, Men Working | Levine | Wallis Knot Inc. |
| Dead Man Walking | Vitello | The Ohio State University |
| Film | ||
| Teleportation Practice Session: Hitting a Mark | Alex | |
| A Vice in the Attic | Julian | Breaths End Productions |
| Amateurs | David | Columbia MFA Film |
| Brian's Uncertainty | Brian | NYFA Student Film |
| Rendezvous | Booth | Glass City Films |
| Education and Training | ||
| The New York Conservatory for Dramatic Arts 2-year Professional Training in Film & Television Performance |
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| Acting Technique: | John Tyrrell, Carol Kastendieck, Ruth Nerken | |
| On Camera Scene Study: | Richard Omar, Alan Rackham | |
| Improvisation & Comedy: | Judith Searcy | |
The Ohio State University B.A. Film Studies |
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| Acting Technique: | Jimmy Bohr | |